the social & scientific implications of the perfectly round tortilla with enrique madrid

Texas/Mexico border historian/scholar Enrique Madrid and his wife Ruby offer a lesson on how to prepare traditional Mexican recipes, including Enrique's theory that perfectly round tortillas that obey the very same laws of physics as the universe milliseconds after the Big Bang. Enrique and Ruby feel strongly that teaching people how to cook simple, wholesome food helps to preserve traditions and keeps "endangered flavors" alive. Sustenance - both physical and philosophical - provides individuals and families with the means to thrive, and creates bonds within communities and between cultures.

It so happened that I posted this video on the same day that an article on the very same subject titled Holy Frijole by Jake Silverstein was published in Texas Monthly.

everyone as activist

Everyone as activist: the Synergetic Omni-Solution
by Alyce Santoro | March 15, 2011, 2:42 pm Waging Non-Violence.org

“You never change things by fighting the existing reality,” Buckminster Fuller said. “To change something, build a new model that makes the existing model obsolete.” In 2007, the Buckminster Fuller Institute began offering an annual $100,000 prize to the individual or team who could present the most practical, efficient, viable way to make a poorly functioning aspect of the existing reality obsolete. Bucky called this kind of solution a “trimtab,” named for the tiny rudder on an enormous ship that is ultimately responsible for steering. I wasn’t ready to enter the competition that year, but from then on, my mind began working around the clock on the riddle of the trimtab. What universally accessible and implementable strategy could bring as many people on board as possible, inspiring contributors to take immediate action using whatever materials may be at hand?

I began to study and implement appropriate technologies and permaculture. I started a Facebook group called USE HALF NOW to explore the notion that more mindful consumption may be an efficient place for many to begin (at least for those of us living in “overdeveloped” countries). I studied the wildly successful conservation and Victory Garden campaigns introduced in the U.S. and Britain during World War II. Leaders called on citizens to “use it up, wear it out, make it do, or do without,” and people ably complied. I wondered, what if a similar campaign could be put forth today? What if people were simply invited to have a stake in creating a healthier, more peaceful world? What if the sense of helplessness, disempowerment, and defeat that seems to pervade our culture could be overcome, simply by suggesting that each of us contribute to the solution in whatever ways make the most sense to us? Perhaps the fastest-acting, most accessible trimtab would not appear as some new magic-bullet “green” technology—instead it might come in the form of a radical mental shift.

The German artist Joseph Beuys practiced social sculpture, a kind of art-activism that called upon audiences to participate. He believed that everyone, by infusing even the most mundane action with a sense of purpose and creativity, could contribute to ones’ own health and the health of society and the environment at large. By so doing, he proposed that “everyone is an artist” of their chosen vocation. Beuys taught that in order for social transformation to be truly constructive and enduring, methods used to achieve it must be as holistic and inclusive as possible.

21st-century advances in internet technology and network accessibility offer extraordinary new tools for the contemporary social sculptor. Interactive initiatives based on the dissemination and sharing of information have far greater potential than during any other age in history. Inspired by the developing power of virtual networks, the spirit of the 1940’s conservation campaigns, and the Buckminster Fuller Challenge itself, after four years of deep consideration, it finally seemed that an opportune moment to present a formal application to the Challenge had arrived.

My proposal, “The Instant & Efficient Comprehensive & Synergetic Omni-Solution,” is a customizable, interdisciplinary, collaborative, philosophical approach to social change. It’s a conceptual framework within which to investigate our inherent interconnectedness and shared responsibility for the health of one another and our environment. SOS is at once a call to action, a compendium of possible strategies, and a means of describing, documenting, and contributing to do-it-ourselves revolutions currently underway around the world. It draws parallels between simple, emotionally-rewarding, system-defying action—such as line-drying laundry, freecycling, and home-growing food—and more complex, radical measures undertaken by those demanding basic human rights and an end to oppressive regimes. By cultivating a willingness to commit to small actions, one may become psychologically prepared to participate in and initiate larger ones.

Through the Synergetic Omni-Solution website, the SOS Facebook page, interviews with visionaries and activists, interdisciplinary art installations, and happenings such as the weekend of SOS launch events to be hosted by Ballroom Marfa in late April 2011 in Marfa, Texas, I plan to compile examples of innovative works in progress by others, connect dots, and gather collaborators. As the project proceeds, data will be collected from those in a wide range of fields—alternative agriculture, music, art, politics, history, philosophy, economics, and social, political, and environmental activism—and condensed into concise, comprehensive, strategic booklets, posters, videos, and multimedia guides to be disseminated digitally and via alternative media outlets.

To carry Beuys’ proposition a bit further, perhaps infusing actions with purpose and personal creativity not only makes us into artists, it makes us into activists as well. Realizing the power we have as individuals to shape the world may be the most efficient, accessible, renewable resource available to us—and also the most often overlooked. By approaching issues that affect us all from the standpoint of how to create the greatest health for the greatest number, through shared information and compassionate action, together we have an opportunity to craft a trimtab that's more beautiful and efficient than anything any one of us alone could have imagined.

makers: DIY agents of social change

by: Alyce Santoro, t r u t h o u t | Op-Ed

EVERYONE IS AN ARTIST

As our society collectively awakens to the realization that it must devise ways to stem the hemorrhaging caused by years of denial and excess, and as the DIY (do-it-yourself) movement grows in popularity, Joseph Beuys’ words “Everyone Is An Artist” ring all the more true. Beuys, who referred to himself as a “social sculptor”, believed strongly not that everyone should make (so-called) fine art, but that everyone can live a richer and more meaningful life by infusing any vocation or action with his or her own personal creativity.

From the 1950’s through the mid-1980’s, Beuys expressed the notion that personal creativity could be cultivated and honed by connecting with nature and by developing a more intimate relationship with it. He believed that individuals, as well as our entire society could be healed by returning to a simpler way of life, and by becoming more attuned to the subtle, ineffable forces of the ecosystems we inhabit.

EVERYONE IS A SHAMAN

Some call one who consciously connects to, communicates with, and elaborates on the intangible a shaman. Some called Joseph Beuys that. Most just called him an artist. Shamans, artists, cooks, gardeners, scientists, inventors and all others who bring imaginary things out of the realm of the intangible to help give them form routinely benefit from enhanced access to the mysterious force of inspiration. In this sense, everyone is a shaman as well.

And as people begin to seek opportunities to “do it themselves” they are exercising a form of personal creativity that has been largely neglected in our culture for far too long. A basic fact of existence that has been all but forgotten is that human happiness and the sense of freedom depends largely on the ability to express personal creativity. Beuys also famously said, “To make people free is the aim of art. Therefore art for me is the science of freedom”.

THE JOY OF FLUXUS

It is possible that the reshuffling of our collective deck, while discomfiting at times, will ultimately result in an overall increase in happiness as people come to realize that we were misguided in relating the ravenous, mindless accumulation of stuff to personal joy, and as we begin to experience instead the sense of simple, profound satisfaction that comes from planting a seed, sewing on a button, or cooking a meal from scratch.

AUTONOMY AS RADICAL ACT

Consciously creative types (“makers” as they have come to be known) are returning to the sort of DIY approach to the creating and sharing of their work that the fluxus artists of the 1960’s and 70’s pioneered – only now we have the internet. Websites, blogs, and social networks have made the notion of the white box/velvet rope style gallery virtually obsolete - now everyone has the same access to the same art and artists, from the comfort and privacy of their own homes. Sculptors can create installations in a basement, musicians can give concerts in their living rooms, writers can publish in an instant – and everything can be shared with millions of people across the globe.

DIGITAL PIONEERING

The internet is a fascinating artifact of the fundamental human longing to connect. The telegraph, telephone, and television are all apparatus devised to facilitate communication. The internet takes it all a step further – now we are able to pool resources, share information, and generate tangible links. In 1998 Howard Rheingold, an early internet researcher and pioneer, published a brilliant article called Thinking About Thinking About Technology in the Institute of Noetic Sciences newsletter. In the piece, Mr. Rheingold posits that for new technology to develop into tools for enhancement of creativity and “mind amplification” as opposed to becoming merely a source of “disinfotainment” we must develop a philosophical framework within which it can evolve. That was 12 years ago. Now we can say for certain that technology, devoid of philosophical framework, will become everything that we are - enriching and distracting, elegant and dangerous, brilliant and ridiculous.

Technology has arrived at a point in its evolution when it is exceptionally easy for the maker to direct all aspects of his or her own creation, from inception to publication, marketing, and dissemination. From Facebook, Twitter, and Blogger to Ebay, Etsy, and YouTube, it is an exciting time for the DIY innovator.

INTERNET AS CAVE WALL

Technologies for the amplification and enhancement of imagination and conscious intent have existed in every aspect of human culture at least since the first cave painting was created. Modern western civilization’s fanatic rejection of the unquantifiable has, in many ways, done us a great disservice. To trust only that which can be measured negates inspiration, intuition, and imagination – some of humanity’s most precious attributes.

Perhaps Joseph Beuys was right - reenchantment with the intangible, reverence for nature, and an open-minded acceptance of alternative modes of perception may make it possible for humanity to emerge from this period of economic, environmental, and social upheaval and reevaluation into a more peaceful and contented era. By perceiving ourselves as artists of our own particular medium (be it plumbing, politics, cooking, medicine, teaching, healing, engineering, or painting), we have an opportunity to sculpt our very culture into a masterpiece that’s beyond our wildest collective imagination. We just need to keep in mind that technology is only an electronic, externalized version of some far more sophisticated software that exists inside all of us, preinstalled. There’s no Google search that can tell us how to use it, however. For that we’ll need to move away from the machines, and step outside.